Originally published on April 26, 2017 in Baltimore City Paper
Like Baldwin's queries about constructions of masculinity, race, sexuality, and gender, artist/writer Devin N. Morris' solo show "In a Dignified Fashion," at Terrault Contemporary through May 6, expands and subverts conventional categories of identity both in content— queer subjects in flat, surreal environments—and in his technical style. CONTINUE READING
"In a Dignified Fashion" is up at Terrault Contemporary through May 6. For more information, visit terraultcontemporary.com
Originally published April 5, 2017 on Baltimore City Paper
Think about the light that illuminates your community and how it makes you feel. When you see red and blue flashing lights, do you feel calm or anxiety? Do the light poles in your neighborhood bear blue flashing surveillance cameras? Have you noticed these cameras as you drive through other communities? Is a bright flood light installed at the end of your block? Do you have LED street lights? Are the lights in your community shattered or broken? Is your community devoid of light?
April Danielle Lewis created the Safe and Sound public art project with residents from the Greater Mondawmin neighborhood to answer these questions and examine the role of light in safety and community... CONTINUE READING
Originally Published on March 27, 2017 in BmoreArt.
"For many athletes, playing a sport is the gateway to success, a once-in-a-lifetime opportunity to pursue higher education, or a one-in-a-billion opportunity to make millions playing professionally.
Dr. Gregory J. Kaliss explains this phenomenon in his essay, Men’s College Athletics and the Politics of Racial Equality. “The notion of meritocracy, deeply embedded in American culture, seemed best realized in Athletic competition, an arena many hoped could be free from the racial prejudice that abrogated millions of American’s opportunities in business, politics, and social life,” said Kaliss. At Baltimore’s Platform Gallery, artist Abdi Farah explores the insidious pathology of American sports culture, especially racialization of sports in a solo exhibit of drawings, paintings, and fiber works in America’s Team." CONTINUE READING
Originally published March 8, 2017 in Baltimore City Paper.
“I Am Not Your Negro” examines the idea of race, for people of color—who are given marginal identifications—and for those assigning the identifications: “white” people. Raoul Peck's documentary is not just a chronicle of Baldwin's memories, but a thorough historical compendium of America's morbid obsession with the idea of whiteness—a construct Baldwin states is “a metaphor for power, and this is simply a way of describing Chase Manhattan Bank.” Continue Reading...
Originally Published March 2, 2017 in BmoreArt.com
Whatchamcallit, the group exhibition and publication installed at Gallery CA includes contributions from Diane Kuthy, Joyce Yu-Jean Lee, Lawrence Lee, Olivia Robinson, Paul Rucker, Mandy Cano Villalobos, and James Williams II, the show’s curator. Williams declares Whatchamacallit, “a riposte to the superimposed cultural identities and labels that we individually find ourselves participating in, given to us by others. The artists in Whatchamacallit who are “obsessed over [their] identity” share an interest in challenging the cultural and social identities on both a micro and macro level.” Continue Reading
Whatchamacallit, curated by James Williams II, is on display at Gallery CA through March 10, 2017.
Artist Talk March 10, 2017 6-9 p.m.
Originally Published February 22, 2017 in BmoreArt.com
"... Influenced by the intimate interior spaces of black women’s homes, the fabulous clutch of black women’s fashion, Muse offers refreshing perspectives. Mickalene Thomas’ portraits are living muses: installations, large high-gloss photographs, pocket Polaroids, and collages inspired by women from her community of family members, lovers, friends, and artistic contemporaries.... Continue Reading
Mickalene Thomas’ Muse and tete-a-tete is on display at the MICA Meyerhoff Gallery, January 27, 2017 – March 12th.
Originally Published in BmoreArt.com February 20, 2017
"The great success of Peacock’s “museum” is its determined and persistent visualization of Trayvon not as a victim, but as a teenager. His life, his joys with family and hobbies are highlighted and remembered. Peacock’s exhibition stressed the importance of not just looking, but seeing Trayvon, and acknowledging that his life is reflected in all of our lives. Peacock considered him a brother, because he could be his brother, and is in many ways a little brother, nephew, or cousin to us all. Continue Reading
The Museum of Trayvon Martin: A Meeting Before Labor at Terrault Gallery- Malcolm Peacock February 11, 2017 – March 4, 2017
Originally Published February 15, 2017 in Baltimore City Paper
"Shifting Views" is the Baltimore Museum of Art's first exhibition of contemporary African art. Works by Senam Okudzeto, Diane Victor, Julie Mehretu, William Kentridge, Gavin Jantjes, Robin Rhode, and David Goldblatt include photographs, prints, and drawings that center a variety of local and global African diasporic issues: Migration and globalization, apartheid and state-sponsored surveillance, public and private space, segregation and stereotype are all on display here. Continue Reading...
Originally Published January 25, 2017 in Baltimore City Paper (print and online)
"I conducted a poll among some of my friends, all young professional women of color, to see how many of them planned to attend the Women's March on Washington. Crickets. Of the dozens of women polled, one or two seriously considered attending the march. The major consensus of my local community—and the greater black social media cadre—planned to sit out and give a glaring Michelle Obama side-eye to the whole event..." Read More
Originally Published January 4, 2017 in Baltimore City Paper (print and online)
"About Face," at Creative Alliance through Jan. 28. Amy Sherald, Tim Okamura, Ebony G. Patterson, and Rozeal make conscious decisions to break from the exclusive traditions of portraiture, which center European subjects, and instead affirm marginalized populations in regal, empowered, and humanizing ways.
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